Theses/Dissertations from 2017
Conrad's Pronoun Usage as a Stylistic Marker and Its Relation to His Density of Text and Themes, Jennifer K. Onishi
POSTMODERN PUZZLES: CREATING VERSIONS OF THE TRUTH AND IDENTITY IN MARGARET ATWOOD’S THE ROBBER BRIDE, ALIAS GRACE, AND THE BLIND ASSASSIN, Maggie Raymond
Theses/Dissertations from 2016
EXPLORING PSYCHOLOGICAL TERRITORIALITY THROUGH THE DOMESTIC GOTHIC IN BELOVED AND MAMA DAY, Lori L. Cook
From Longinus to Tolkien: A Theory of the Fantastic Sublime, Seth Wilson
Theses/Dissertations from 2015
Eric Shanower and the Visual Mythography of Age of Bronze, Michael R. Hale
Christian Lady Rhetorica: Americanization of Marian Rhetoric in Early American Sentimental and Seduction Novels, Stephanie Laszik
Fitzgerald's and Hemingway's Muses of Disillusionment, Allison Rogers
Theses/Dissertations from 2012
Comic Books vs. Greek Mythology: the Ultimate Crossover for the Classical Scholar, Andrew S. Latham
A "New" New Woman: the Portrayal of Women in the Late Nineteenth-Early Twentieth Century Novel, Samantha L. Moore